By the second Gramavision release, “Claude’s Late Morning,” in 1988, Previte had grown tired of the two horn front line and embarked on an ambitious, (some say crazy) project with an outcast instrumentation, including guitarist Bill Frisell, Josh Dubin on pedal steel, Wayne Horvitz on hammond, Ray Anderson on tuba and trombone, Guy Klucevsek on accordion, Carol Emmanuel on Harp, and two other drummers (Joey Baron, and Jim Mussen on electronic drum pads).

Amazon.com—“Where most composers would have no idea of what to do with such a melange, Previte molds it into an unforgettable band that plays affirmative, unpredictable music.”
The New York Times—“An often brilliant record, deep in resourcefulness, and sounds as if it is without precedent.”
People Magazine—"Here is an album worthy of repeated listening, and it comes with the guarantee that you'll hear something new every time."
Andy Warhol's Interview— “One of the finest compositions of the decade.”

Also one of Previte’s personal favorites. A landmark CD.

"Claude's Late Morning"